Two Left Feet Newsletter - May Issue

Summer Festival 2005

Summer Festival starts in June!
This is one of the most exciting times of the year at the Fred Astaire Dance studio of Hanover. The Summer Festival is a four week contest held by all the Fred Astaire Dance Studios in the country. The schools are divided into several regions, and all the studios within a region compete against each other for the TOP STUDIO TROPHY. Each studio is attempting to prove that they have the most enthusiastic and cooperative students in the region. The contest is based on a point system, and the school with the most points at the end of the Festival wins!
You can help your studio win by sponsoring your teacher. By doing so you become eligible to accumulate points for yourself, your teacher and your studio! Your sponsorship also enables us to provide the terrific prizes, decorations, parties and bonuses for your teachers throughout the month.
Sponsor?
Am I eligible to become a sponsor? - you will ask. Heck, yes! We need you! - we answer. Do I have to know how to dance? Heck, no! You need us! Sponsor your teacher now, when it means so much! Who can I sponsor?
You can sponsor any teacher or staff member as many times as you wish at $15 per sponsorship:
Our Teachers:
Richard Hutton
Deyan Stefanov
Victoria Cloyes
Kristina Hess
Kristie Mullins
Receptionist:
Eleanor Canty
Owners-Directors:
Douglas Banks
Christine Banks

Join us for a fun-filled June of parties, games, prizes, surprises and most of all, great savings and free lessons.


Party Time!

...but wait there is more!!! Once you become a sponsor, you get to go to all our fabulously fun parties in June for FREE!!! Starting every Friday of the month at 7:30 pm, till 9:45 pm the parties will bring to life a different theme to the studio. The ballroom will change its look every week and your teachers will dress up according to the theme every Friday. We are not going to reveal the themes just yet, but we'll give you some picture hints, as you can see… Try and guess what are they, it's not as easy as it looks!


June 3rd
Party #1


June 10th
Party #2


June 17th
Party #3


June 24th
Party #4


The Warm-Up... How?

(continues from April's issue) A warm-up is necessary no matter how warm the environment. All the benefits from the warm-up can be obtained by a routine that should include the following features in this order:
• Gentle jogging, marching, skipping or similar rhythmical activity.
• Exercises of a steady rhythmical nature involving other joints of the body, such as gentle knee bends, arm swings, sways, trunk rotation, step ball change. None of these should reach end of range of movement so muscles and joints are not overstretched. Incorporating arm movements at this stage will increase the effects of the warm-up.
• Gentle stretches to the large muscle groups, holding each stretch for 10-15 seconds. An increase in flexibility through stretching may reduce the incidence of muscle and tendon injuries. You might want to stretch your quads, hamstrings, inside-thigh and calf muscles at this time.
• Balance exercises, such as standing on one leg, then being able to control bending and straightening the supporting leg and rising on to your toes.
How long a warm-up takes will depend on your age and fitness level.
Interestingly, the fitter you are and the more often you train, the longer your warm-up needs to be to have the same effects.
The steps in the warm-up should be not overstretch you and should not include sudden changes in direction, complicated moves or turns. Keep the steps simple and repetitive and leave the technical bits to the lesson when the body is warmed up and better able to cope with them. At the end of the warm-up you should feel warm, relaxed and ready for action. If not, you have either done too much, or not enough!

From Students To Students

On The Horizon

Rock pebble stone surf
We tango as the sea
Ripples to shore
Caressing all the small places
Apart, vast boundaries
Connect you to me the floor
And depths unfathomed
Uno dos, we walk march
The droning rhythm
Brings cadence to our lives

by Jean Marie Hart



Dance Spot – The Bolero

The Bolero was introduced to the United States in the mid 1930s. At that time, it was danced in its classical form, which was performed to a constant beat of drums. It emerged from this classical form to what was called “Son”. From the “Son” came the livelier and faster tempos, which were later termed Rumba and Guaracha. Originally created by Sebastian Cereza in the year 1780, the Bolero has remained a true source of expressing sensuous feelings which accounts for it being called “The Cuban Dance Of Love”.
For many years, the Bolero was only taught to and danced by students in their gold or higher levels, because of the fact that it was, along with the Viennese Waltz and Paso Doble, a dance that did not seem as popularly requested as the others. However during the 70s and 80s, these three dances were being seen in many of the larger competitions. As a result, the Bolero is now included in the Bronze curriculum of the Fred Astaire Dance Studios.
The Bolero is a dance that does not move along the line of dance.
Like the Rumba, the Bolero utilizes many of the same movements such as Open Breaks, Spot Turns, Cross Body Leads, spins and many others. The Bolero is truly one of the most expressive dances.

Events This Month


Happy Mother's
Day!
Don't forget to call
your mother or send
her a card on the 8th

In the month of May we would like to invite you to our continuing Country Western Series. Classes will meet every Friday at 7:30 pm for four weeks starting on May 6th. Cost is $50 per person; series must be completed within the month; no carry over to another month; no refunds after starting date; you may use 4 of your existing group classes.

During May there will be only one Practice Party which will be on Friday May 13th, starting at 8:15 pm. Don't miss out the on the fun and the practice…

Bring your guests to our Friday Night Guest Party on the 27th of May and win Free Lessons. The party starts at 8:15 pm; please RSVP.

We would like to take the opportunity to once again ask you to give us your suggestions and ideas for the articles in the newsletter. Please let us know what subjects/topics you would be interested reading about or simply submit ideas for our regular sections: “From Students To Students”, “Dance Spot”, "Picture Of The Month". Your help will be highly appreciated.



Who is Richard Hutton?

Originally from Ireland, Richard has been dancing for 20 years. He first started traditional Irish dancing when he was 7 years old, and then started International Style a few years later. He has competed in both Irish and Ballroom dancing throughout his youth representing Ireland at major championships including the European's and World's. As an Amateur he was the Irish Open Youth Champion, All Ireland Amateur Champion, Republic of Ireland Amateur Champion and undefeated All Ireland Waltzing Champion. Since turning professional he has won the DanceSport Montreal Professional Rising Star Championship and is currently the Fred Astaire National Champion. Richard is qualified in both International and American style and is also a licensed adjudicator through the United Kingdom Alliance and the Irish Dance Teachers Association. He graduated from college in 1999 with a degree in Architecture and practiced as an architect for three years, designing commercial and residential properties. He also enjoys playing the drums and was involved in many youth band projects in Ireland. Richard is always up for a laugh and once taught a whole day at the studio in a blue tutu.

Dance Horoscope

People born under the sign of Taurus, the Bull, prefer the Polka, belly dancing and the songs of love. They possess a broad musical interest and they quickly get into the musical mood with classical opera and folkloric music.





24 Rockland Street
Hanover MA 02339
call: 1.781.826.2500

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Partnership Dancing - Basic Principles

Unlike other forms of dancing, where the individual dancer's primary development is as "solo performer", the art of social ballroom dancing requires the added development of “performing with partner”. This requires an understanding of the Principles of Partnership Dancing, which are specifically:
a) The sensitivity of one partner in relation to the other.
b) The ability of the Lady to respond correctly to the Gentleman's leads and body flight, as well as his style.
c) The ability of the Gentleman to transmit his leads, rhythmic expression and style correctly.
It is obvious from observing the top ballroom dancing couples that the Gentleman is always in full command of the partnership. He is knowledgeable of his dancing steps and his style, transmits his leads accurately to his partner, and highlights the Lady by never over-shadowing role as the primary focal point in the partnership.
The Lady, on the other hand, always assumes the passive role in the partnership. She maintains an acute awareness, sensitivity and responsiveness to the Gentleman's slightest lead. She is completely knowledgeable of her own dancing abilities, resist the temptation to anticipate the Gentleman's movements and leads; but above all, she takes full advantage of her role as the primary focal point by displaying ultimate femininity in style, expression and individuality, thereby enhancing the partnership as well as her partner.
When those basic principles of partnership dancing are accomplished to perfection, the ideal partnership will result.
The Technique of Lead and Follow is essential to the ultimate pleasures to be derived from ballroom dancing. The utilization of all that has been studied is brought to the final test when the partners assume dance position hold to begin dancing, and then move and flow as one in harmony to each other and the music. The success of the Gentleman's ability to lead and the Lady's ability to follow can only be attained through the practical application of the principles of partnership dancing.

Picture Of The Month

Well now that's a shocker, isn't it! You now see her at the front desk, answering the phone, making appointments and keeping track of your lessons; However, twelve years ago Eleanor received a telemarketing phone call from “Fred Astaire” and became “hooked”. Over the next ten years she took dance lessons, participated in many dance formations, showcases, competitions and Friday night parties.
After retiring, taking a short hiatus and a phone call from Douglas, she came to work in the studio on St. Paddy's Day 2003…
Once in awhile she coerces a teacher to dance her around the floor. Eleanor says she has enjoyed the many acquaintances, and friendships made over the years and has thoroughly loved every lesson and dance step ever taken.



Joke for May

Q:What do they say about dancing vampires?
A:They suck!

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